
starts in3 days,
1 December, at 18:00
As the Western World struggled to understand the unprecedented atrocities of the Russian army in Ukraine, European citizens joined forces to welcome nearly 8 million refugees fleeing the country. What happened to those who stayed or who returned home? Can home even be called ‘home’ under the circumstances? Filmmakers Piotr Pawlus and Tomasz Wolski embark on a challenging mission to show, rather than tell, what is going on in the shelled-out cities and burned villages.
Tomasz Wolski, Piotr Pawlus
Anna Gawlita, Arek Gielnik (co-producer)
Piotr Pawlus
Igor Kazmirchuk
Tomasz Wolski
Kijora Film in co-prodution with Indi Film
When the Russians began to bomb his hometown of Chernihiv, musician Mykyta hid his clarinet under the bed and became a volunteer. His charity work helps Mykyta maintain his mental health during the war. But is there anything that can bring music back into his life?
The film is based on home movies made by a Ukrainian family. The particular focus is on the children. Through amateur videos from the past, the film reflects on the subjects of time, multitude, rootedness, about us.
Ukrainian children are confronted with their past as they explore their new home in Germany: a former Wehrmacht military barracks.
An intimate portrait of a mother-daughter separation experienced from different perspectives.
A fragile coming-of-age story that unfolds amidst challenges brought by war and forced emigration.
This is a film about the incredible resilience of the Telychko family, who, having lost their home for the second time in 8 years, despite everything, lead a children's robotics club to victory in the World Olympiad.
Social tragicomedy about the clash of worldviews in the village of Kozubivka in Poltava region.
The chronicle of the underground "shelter city" set up at the Kharkiv metro station in the first 89 days of the full-scale invasion.
The family and friends of killed journalist Jan Kuciak and his fiancee Martina Kusnirova started their own investigation and a campaign to punish the criminals. The newfound evidence helped file new charges and reopen the case against Marian Kocner — one of the richest businessmen in Slovakia.
The narrative by the Welsh journalist Gareth Jones whom was the first one to speak about the mass hunger in the USSR, including the Holodomor, in Western press under his own name. Excerpts from Jones’ memoirs, diaries and articles are accompanied by letters from then-secretary of the Italian Embassy in the USSR and fragments of Soviet directives and decrees.
The directors offer us to go to Belfast, Northern Ireland. One school here has an unusual headmaster who loves Elvis and Greek philosophers, and believes that education can prevent future conflicts in the capital.
Somewhere in the Carpathians, between Ukraine, Slovakia and Poland, lies the village of Stuzhytsia. In Ukrainian the name of the village means something like ‘cold place’. The film tells the stories of three women: Hanna the farmer, Maria the postwoman and Nelya the biologist. The film portrays an unknown place in the middle of Europe, where people have to decide daily between leaving and staying.
The Danish filmmaker Lea Glob decided to observe her protagonist, the thirteen-year-old artist Apolonia Sokol. Her camera lens captured both Apolonia's creative ups and downs, her relationship with Oksana Shachko, a Ukrainian artist and co-founder of Femen.
The film tells the story of internally displaced people who ended up in Uzhgorod and staged a Shakespeare tragedy under the leadership of a local director.
Justine Martin tries to capture the fragile bond between twin brothers leaving the safe oasis of what is probably the last summer of their childhood.
In film by Matthias Joulaud and Lucien Roux, we are immersed in a summer on the west coast of Ireland, where a man wants to pass on the skills of shepherding to his grandson while he still can.