Oksana Karpovych
director of the film Intercepted
In Oksana Karpovych’s debut feature Don’t Worry, the Doors Will Open, we see Ukrainians in the moment of transit, waiting, pause. Suburban trains are the bridge between the past that is gone and the future that hasn’t come yet. Filmmaker and film critic Yuriy Hrytsyna will talk with Oksana Karpovych about the ways of filming poverty and ‘ordinary people’ that avoid ‘entomologisation’ and colonial optics. What is it like to be a Ukrainian filmmaker abroad and what is special about making a film in Ukraine in such a status? Does one need to become a stranger in order to see the mechanics and dynamics of the native? Don’t Worry, the Doors Will Open captures reality invisible for the majority, reality that will soon be gone. In the time of crisis, it gives the film additional dimensions. So the main topic for discussion is what will happen to elektrychkas, Ukraine and all of us in the future. This is the best moment to reflect on why cinema exists and in what form it can continue its existence.
director of the film Intercepted
filmmaker, film critic, photographer, visual anthropologist
He focuses on temporary archives, video amateurship, anthropology of the Internet, memory and nostalgia as mobilizing and demobilizing projects. His filmography includes Language and the World (2011), Varta1, Lviv, Ukraine (2016) and Far from Lviv (2020).